As the Afrobeats landscape evolves in size, landscape and influence. And as the releases mount each week, a lot of songs slip through the cracks. In a

SIRA*’s eclectic album, Songs for the End of the World is commentary on the eventuality of the anthropocene. While T.S Elliot posits an underwhelming end to our

Joshua Akinwumi’s works are simply inspired by a need to convey the je ne sais quois that defines African art. The message evokes roots and its execution

The projector at Jewel Aeida, Lekki threw a brown effigy onto the screen: it is Parkhage, but sculpted as a 14th-century Ife bronze head. Rather than a